The masterpiece of "Winter Warm Film Festival" soothes the soul and ignites the enthusiasm of watching movies in winter in several places.

1905 movie network news Shadows gather at the end of the year and walk with the light. The "Winter Warm Film Festival" sponsored by the National Art Film Projection Alliance has been successfully held for three times, and this year has entered the fourth year with solid steps. From December 23 to December 30, 2021, the film festival dedicated unique artistic surprises to fans in Beijing, Shanghai, Shenzhen, Chengdu and Suzhou.
The types of works shown in this activity are diverse, with different contents and themes, colorful artistic techniques and innovation. Although the warm winter has not yet ended, many masterpieces, represented by, have aroused the audience’s great enthusiasm for watching movies, and they have also gained spiritual agitation and emotional resonance.

In this year, eight Chinese masterpieces invited to be screened accurately capture the ambiguity of the "present". The creators uphold professional artistic literacy and show some emotions, wrinkles and textures contained in a topic in narrative or recording; At the same time, these masterpieces give consideration to love, friendship and affection, expressing good humanistic care and emotional depth. Thanks to his sincere artistic writing, the movie scene is often accompanied by laughter and tears.
"Lian" Love, which was recognized by the audience of Beijing International Film Festival and Shanghai Film Festival, created a "laughing fruit" in the warm winter. The director deconstructed the family intergenerational contradictions caused by marriage and love issues with a humorous style, which caused the audience to smile. The documentary "Hello, Mount Everest" shows a father’s "farewell trip" to Nepal and experiences the "last journey" of his dead daughter. During the viewing, the audience was not only shocked by the magnificent scenery of Mount Everest, but also quietly wiped their tears because of this hard-to-give-up affection.

Leaving the two poles of sadness and joy, other films of this winter’s warmth also capture the twilight of other emotions. The twists and turns of life in Ram and Gabe, the childlike desire to keep bees for my father and the childlike innocence in The Beekeeper Girl all comforted the audience who came to watch the movie and returned home with a full load.
The atmosphere of the post-screening communication links of many films is warm, and fans actively interact with the main creators to express their emotional resonance after watching the movie. As a representative of this masterpiece, the film "Liu Lang Wen Ying" won the audience’s most intuitive appreciation enthusiasm, and the screening site was packed, and the number of screenings increased accordingly according to the movie demand of fans.

During the creative dialogue on the opening day, the audience, the director and the actors exchanged the details of the film production process, and also actively expressed the rich feelings brought by the film to both sides. The discussion on "Liu Lang Wen Ying" lasted for a long time. After a period of precipitation, many fans paid more attention to the film’s sincere interpretation of Yue Opera, a traditional culture, and more and more remembered the photos of the times under the shackles of characters.
Joy, sadness, hesitation and hope, this year’s winter warm masterpiece reflects the complicated mood in the present and individual heart with rich images, soothes the soul with the power of narration and recording, and also stimulates the enthusiasm of watching movies in winter in several places. Accompanied by light and shadow all the way, the "Winter Warm Film Festival" has broadened the screening space for high-quality art films in the course of four years, and also helped to cultivate the domestic film market to flourish towards diversity and inclusiveness. The All-China Federation of Arts and the "Winter Warm Film Festival" are looking forward to "talking around the stove" with more audiences in winter, and approaching the promising future of domestic art films hand in hand.